CinePostproduction has been able to develop a stereoscopic workflow that boasts top-notch image quality and production reliability, as well as ease and convenience in the process of dailies, editing and grading.
Providing stereoscopic corrected dailies to your editor and team takes a lot of strain from your brain (now look at that!).
Take advantage of our mobile stereoscopic cinema on wheels to directly preview your footage on-set.
During final color grading there´s a depth grading involved, making sure that your stereoscopic images “sit” in the right space.
|Referenzen||The Key 3D, Gösser 3D Museumsfilm, Tarzan, Die Vermessung der Welt, Topper gibt nicht auf 3D|
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|Team||Viktor Gette, Jacob Dietz, Tina Falke, Thomas Ramin|